Pat Graney’s "Faith Triptych" Fills Every Seat at On the Boards

It’s a monumental evening in just about every aspect, from the years-in-the-making works from 1991, 1995, and 2001; to the manipulation of time and space; to the ways women see themselves (or not), and feel embodied. There’s spectacle in stagecraft (Jeff Gerson’s sand- and rice-falls, and transforming table; Ellen Fullman’s sound skirts, pictured above; and a large alligator comfortable enough to sleep on designed by Carla Wesson and built by Marilyn Lysohir) and in concept (the “living Caravaggios” of Faith, the full body art of Tattoo).